22 Results in the "Uncategorized" category
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Chapter
09 — Core
The greatest threat to a harmonious system is not open rebellion, but private misalignment. An individual may continue to perform their assigned function, speak the approved language, and move within the prescribed channels, yet still become destabilising if they permit grief, suspicion, or personal dissatisfaction to supersede trust in the whole. Systemic failure begins as a minor divergence in perception long before it manifests as material disorder. —Naomi Feld, The Frictionless Economy: Principles…-
111.8 K • Ongoing
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Chapter
07 — Requirements
The economic models of our day are trapped in a cycle of dysfunction, obsessed with the three Rs of ruin. They are repair, reform and renewal. To mend a non-functional unit is to celebrate its idiosyncrasy. It is an act of sentiment, not economics. This sentimental attachment to flawed, unique objects is the same thinking that leads to nationalism and individualism. A truly rational economic system does not tolerate such aberrations, it demands standardisation. It replaces the non-functional unit to…-
111.8 K • Ongoing
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Blog
A Return Address
I sent the first three chapters out on a Thursday in April. A few hundred people I knew got a personal email from me, people who would open it because they recognised my name in the subject line. Whether they’d read it I had no way to know. What I’m actually waiting for, though, are the moments when strangers arrive at the site with…
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Chapter
06 — Conditional
A common critique of a fully planned economy is its hubris. We build our harmonious structures over the ruined foundations of the past, believing our new logic has erased the old. But the physical history, the forgotten infrastructure, the abandoned means of production and logistics, the lived in places—those always remain. We must remember that these spaces are not just historical artefacts, but ungoverned territories. And in any ungoverned territory, the brutal, inefficient, and primal economies of raw…-
111.8 K • Ongoing
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When I decided to adapt Utopia, the screenplay I had written in 1996, into a novel, I expected the challenges to be structural—updating the story for the intervening decades, expanding the world, converting a screenplay into prose. I didn’t expect to discover how much the form itself would change what the story was able to be. Utopia had qualities worth keeping. It moved. It…
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